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The show’s suspense and character exploration come from a tradition commissioning long running series by the Danish broadcaster, said executive producer Piv Bernth. Adapted from a Danish series, this American version earned six Emmy nominations in its first season. STORY: Emmys 2011: It’s (Almost) Anyone’s Race in This Year’s Drama Actress FieldīBC 1 controller Danny Cohen, former Talkback Thames chief executive Lorraine Heggessey and BBC director general Mark Thompson were just a few of the media chattering class to come out as fans of the show.Īcquired by the BBC channel for paltry $7000 an episode, it delivered more than 500,000 viewers an episode, a major audience for the drama and arts channel and almost unheard-of for a foreign drama that ran with subtitles.
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The 22-episode series became a surprise hit after being picked up by the BBC’s arts-focused digital channel BBC4, and the audience grew by word of mouth, rapidly becoming critical success that TV executives loved to praise. The more you hold back, the more active the audience’s imagination becomes.” “In this story you don’t give people the junk food – the sex scenes, the car chases, the love stories. STORY: Emmys 2011: Predictions from THR’s Tim Goodman There’s a beauty about defining this person by the lack of men in her life,” Grabol added. “I felt very strongly that I didn’t want her to be defined by the men around her. “They were writing in that direction, and I remember we debated it very heated meeting with the writers,” she said. Speaking at a panel at the Edinburgh International Television Festival about the Danish version of the show alongside producer, Piv Bernth of the Danish Broadcasting Corporation, Grabol said that she had opposed plans to spin a romantic story line around the character of Sarah Lund, fearing that it would make the character too ordinary. STORY: Emmys 2011: 10 Long Shots Worth Watching However, I feel like I can still answer this question, since it is Crime Fiction you are talking about. Now, actress Sofie Grabol, who played fiercely unsentimental murder detective Sarah Lund in the original version, says TV executives are at risk of being so scared of boring the audience that they add too many “junk food” plot lines. Answer (1 of 2): I have not seen the TV series or films of any of the three mentioned in the question. EDINBURGH – It was the unlikely critical success that story that traveled the world the tense, low-key Danish-language thriller The Killing that became the cult favorite of TV executives in the UK and US, and was later remade for AMC.